Hollywood has lost the plot when it comes to romantic comedies. Back
in the genre’s golden years, actresses with solid acting chops and modest looks
(Rosalind Russell, Katharine Hepburn) won over audiences by playing terrific
characters that female audiences could identify with. These days, female leads in romantic comedies
tend to be cookie-cutter beautiful with shallow, egocentric issues that have
little to do with the day-to-day concerns of real women.
This is not the case in Sawako Decides (川の底からこんにちは / Kawa no soko kara konnichi wa, 2010), where the main leading lady ranks
herself as “lower middle” in the spectrum of women. Sawako has average looks, meagre self esteem,
and is lacking in professional ambition.
In the five years since she left her home town for Tokyo after a falling out with her
widowed father, she has suffered through five dissatisfying jobs and is in her
fifth disappointing relationship after being dumped by her previous four
boyfriends. She seems to be stuck in a
cyclical rut when she gets word that her father is terminally ill with cirrhosis
brought on by heavy drinking.
Sawako resists moving back to her home town to support her dying
father and his wayward brother because it means having to face up to unresolved
problems from her past, but her recently divorced boyfriend Kenichi coerces her
into going. Kenichi is looking for a
fresh start for his life with his young daughter and sees potential in Sawako’s
family business of packing freshwater crabs.
His daughter Kayoko, with her big mournful eyes, is more cautious than
her father, but ultimately will be the first person to really connect with Sawako.
The choices that Sawako faces in this film are difficult and her
decisions are not predictable, which only serves to make her character all the
more human and likable. Hikari
Mitsushima (Love Exposure, Kakera) brings her trademark shy charm to the role and
contrasts well with the more brash female characters such as her old childhood
friend with a grudge and the gaggle of crab-packing women who are determined to
make Sawako suffer a bit for her past sins before welcoming her back into the
fold. The wacky, screwball aspects of Yūya
Ishii’s film keep it from wallowing too long in self-doubt and misery – though the
unlikely subplot of a random Tokyo graduate student seducing a married fisherman
should have been left on the cutting room floor.
All in all it is an enjoyable film
that reminds us that no matter how average a person is, they need only work
hard and look out for others in their community to enjoy a successful life. As Sawako's family vegetable patch demonstrates, sometimes the most beautiful flowers can grow in the biggest dung heap.
Director and Screenwriter
Yūya Ishii
Cinematographer
Yukihiro Okimura
Original Music
Chiaki Nomura
Cast
Sawako
Hikari Mitsushima
Kenichi
Masashi Endo
Kayoko
Kira Aihara
Tadao
Kotaro Shiga
Nobuo
Ryo Iwamatsu
Catherine Munroe Hotes 2011
